UNFOLDING NOTHINGNESS …
Inspiration
Water, channelizes its expansive existence subtly inside the weave of life, mingling toil and poetry into the land of Bangladesh.
During Monsoon the 52 rivers that carry water across Bangladesh inundate two-thirds of the land. The water recedes, leaving behind fertile alluvial soil, transforming the landscape into large patches of paddy fields. Lalon, the 18th-century mystic minstrel of this land said, “If one thing is not there inside the body then it is not outside the body either.”
The human form has two parts – body, being the shell and thoughts as the soul. Shell and Soul are interdependent, yet independent; belonging to each other while belonging to themselves. Architecture is similar, with the building envelope as the shell and nature as the soul.
In the early 19th Century, the Bengali scientist Jagadis Chandra Bose revealed his new discovery stating ”every tree has a life, and has a language it communicates in”. Although a physicist in profession, he stepped into the territory of the botanist. It was hard for him to convince the world that “every inanimate object has life”. So he went on to adopt a gradual path to prove that. His research is yet to be resolved.
scientifically, but philosophically it exists. For example, when Louis. I Kahn says, “I asked the brick what it wants to be, it says an arch”. Kritios Boy is also about feeling life. The same goes for Michelangelo who tried to bring out the encaged life out of the stone.
“Does architecture have life? If architecture
has life, then how does it express the dynamics of life?” Here if Jagadish is
about embedded life then Lalon is about the dynamics of life. So, Jagadish and
Lalon come side by side.
Reality
The building envelope of this three-storey
residence is a pure square, constructed of a single material, cast-concrete.
The sphere, the universal celestial form, in this case is transformed to its
terrestrial expression in the shape of a square.
Considering the socio-economic conditions of
Dhaka, architectural vocabulary is kept simple, with traditional spaces like
the courtyard, pond, ghat (steps to water) and ample Green to merge together
urban and rural typologies in this urban context.
The site is surrounded by multi-storied
buildings as on-lookers. An introverted design strategy was hence adopted,
placing a water-court as a swimming pond in the middle of the house to ensure
privacy.
It is the inter-relationship between form and
void which is at the heart of Lalon’s philosophy, the underlying inspiration
for this building. The open quad at the center depicts nothingness.
The South and South-East have been designed to
bring in cool breeze during the hot, humid summers and the warmth of the sun
during the winters. The central water court acts as a natural exhaust system,
allowing hot air to escape and making the middle court a cool sanctuary.
Dream
A small dingi boat waits by the ghat, patch
green and light with its silence – and the space becomes a natural habitat
within a man-made dwelling, with layers of understanding to unfold Nothingness.
When light caresses the wall or the water
touches the land or the land pats the green or the green embraces the breeze or
the breeze ushers in fragrance… it is all about touching and feeling the soul.
The Destiny is Nothingness, where the soul and shell cohabit and purify
themselves.
Here you can let the soul come inside the home
and then, just let it be …
Project :
S.A Residence
Client’s name:
Salauddin Ahmed
Size of project:
20, 667 sft.
Cost:
USD 1, 625, 000
Date of start of project:
March 2007
Date of completion of project:
May 2011
Specific characteristics of site:
Set in an urban context, the site is surrounded
by high-rise buildings as on-lookers with a single road to the West.
Specific characteristics of material:
Dhaka lies in a zone of relatively high seismic
activity; hence, form-finished concrete is an ideal choice of material. The
structural clarity, as well as the aesthetic simplicity of concrete adds to its
appeal as a building material.